The chordophonic limb of hemlock, Free Range, Ratboys, Squirrel Flower, Tobacco City, and more has added another exciting release to their solo discography. On November 21, Andy “Red” PK, released “Red/Waverly”, a dual single release that pulls in two opposite directions.
“Red” has an upbeat and feel-good tempo reminiscent of early 2000s indie-pop. PK emphasizes their expertise with a string-heavy track. The featured strings lean into a surprising, but well-integrated, southern twang midway through. With light and soothing vocals, “Red” paints a picture of sunshine and clear blue skies, whereas “Waverly” takes on the night. Its slow tempo, accompanied by PK’s relaxed voice, calms the adrenaline from “Red.” The track begins with a muffled ticking clock, which almost gives off an altered perception of time. At first, the heaviness of “Waverly” feels like a musical trudge. But the track ends before you know it. Its absence leaves you light and cold, in need of the heavy warmth of “Waverly” all over again.
By recording two contrasting melodies, PK shows the full range of their artistry. Rather than subjecting themselves to one note, they explore the various elements of their talent. The light and dark air surrounding “Red/Waverly” further characterizes the work of a guitarist held so fondly in many ensembles. From collaboration to solo work, Andy “Red” PK submits another beloved project for us to enjoy.
You can catch “Red/Waverly” and the rest of Red PK’s work out now on Bandcamp.
Chicago, known for their erratic springtime weather, strikes once again. At first, what was once a bright and radiant mid-seventies day, the kind people dream about during the winter hibernation months, flipped into a sub-fifties wind turbine masterpiece within an hour. The vicious Chicago wind pierces our flesh like a Ric Flair knife-edged chop during the interview. Andy PK, who records music as Red PK, sits atop a hill in historic Humboldt Park overlooking the iconic skyline. There’s a feeling of endless amounts of possibilities in his burgeoning musical career, as there are skyscrapers in the mammoth metropolis.
PK welcomes me with his naturally warm smile on this blustery April evening, wearing a navy blue collared shirt, light wash jeans, and white low-top sneakers. Their hair is mixtures of orange, pink, and red like a perfectly scooped order of sherbet ice cream from Margie’s Candies. PK is still on an adrenaline high from a few weeks prior, performing in three separate bands (Free Range, Hemlock, Red PK) on the same night at the tucked-away hole-in-the-wall bar known as The Empty Bottle.
PK is a staple in the Chicago indie music scene, known for his powerful yet silky smooth live performances where he frequently plays on either guitar, pedal steel, or even both for numerous bands such as Free Range, Hemlock, Tobacco City, and under his solo work Red Pk which are his core four bands. But, there’s more; they’re also a touring guitarist at times for Options, Soft Surface, and starting this summer, Squirrel Flower. In each separate iteration, PK naturally melds his skills to whatever each band’s specific requirements are. There’s a reason why bands want PK around, he can shred guitar with the best of them.
This year, with their musical career blooming like a cherry blossom in spring, they quit their day job as a marketer to fulfill their dream of being a full-time musician. “I quit my job ultimately because I had no time for myself. I was saying no to gigs I wanted to do because I was working my job. Even on tours, I was working from the van the entire time. I would be on conference calls, five minutes before soundcheck, trying to wrap it up real quick so I can get out there.” PK says softly.
The sensation of being spread too thin can be a crippling feeling for anyone. Now, since the weight of a 9-to-5 job has been lifted, PK is starting to get a better handle on the freelance musician lifestyle with the assistance of a shared Google calendar with every band’s schedule. Maturing into their craft, PK is better now at keeping track of all their gigs and communicating more effectively on their booking dates. Also, realizing how critical it is to carve out personal time for themselves is necessary. These days, it centers on watching NBA Playoff games with Free Range’s Sofia Jensen.
Even when there are fleeting moments of struggle popping up every so often when keeping track of their gig calendar, PK can refocus themselves. “In times when I feel overwhelmed, I take a step back and ask myself, “What am I stressed out about playing music with my friends? I feel honored to have a bunch of work come my way. Five years ago, I never would have guessed that I would even be doing this stuff.”
Five years ago was when PK moved from the West Chicagoland suburbs to the big city in hopes of finding himself. This was a trying time with the COVID lockdown combined with a sense of being directionless from a passionless job and a search for a community connection. They turned to learning a new instrument with the hopes of putting themselves out into the world. “I picked up the pedal steel guitar, I always thought it sounded beautiful,” PK says.
Shortly after venues started to open back up in 2021, PK received their big opportunity that they were waiting for. Their first break came when the manager of the “Cowboy Crooner” himself, Andrew Sa, reached out to see if PK could do spot duty on pedal steel for a show. PK had only been playing the pedal steel for three months until that point. “I knew I could do that. I worked my ass off playing those songs a million times at home. After that, with Andrew, people started hitting me up to play in their projects.” PK says.
Through the phenomenon of twangy folk music, there was a surging need for pedal steel players across the city. For the next two years living in Chicago, PK became the “pedal steel guy” around the indie scene. But through that moniker, other artists started to notice PK’s prolific talent with the guitar. “I love pedal steel, but the guitar feels like it’s an extension of my body,” PK says. The two-year slow burn of becoming a full-fledged Ax man finally started to get some heat.
For guidance on his career, PK leaned on the community they were starting to build with the help of one of their best friends, recording engineer/musician Seth Engel. Engel served as essentially PK’s musical version of Yoda, minus the inverted style of speaking. The wise beyond his years veteran presence showed them the ropes around the local scene and connected him with like-minded people that gave them a sense of home.
“My family birthday parties or Christmas, after dinner we would get the guitars and sing songs together.” Think something similar to The Osmonds’ Family, but a thousand times cooler. Music was instilled at an early age for PK. They received their first guitar at age three from their parents. At age eight, they officially got their first lessons.
“Everyone in my family plays music, so there was always a lot of music going on at home that was like, definitely really influential to me.” PK reminisces. Through PK’s formative years, their father, who also played slide guitar in a lot of bar bands, influenced their early musical taste from the likes of guitar hero icons Jimi Hendrix and Stevie Ray Vaughan. You can hear some of those classic blues riffs by PK sprinkled every so often on their projects with Free Range and Hemlock.
April 10th, Red PK’s gameday of being on the bill three separate occasions is here. A lot of preparation was put into all the performances to make sure they went off without a hitch. “I was rehearsing all day, every day, sometimes even three times a day,” PK says. The night couldn’t have gone any better. They were stoically strumming away from the opening set to the closing. They were in total command, like Steven Seagal in an action flick. I don’t think there was anything PK couldn’t have done that night at the venue. If they had asked them to sell popcorn or even to go start slinging vodka martinis behind the bar, there was no doubt they wouldn’t be able to execute it perfectly.
A celebratory feel was in the air the entire night. Free Range celebrated their terrific indie folk record Lost & Found, Hemlock celebrated their year-and-a-half journey touring, and of course, Red Pk’s five-year journey of not only becoming who they were always meant to be, but also doing it with the community and friends that they now love like family. “In a lot of ways, nothing’s changed. The vibe of my friendships is similar to that of being with my family; we get together and hang out, play guitar, and sing. I’ve felt such a sense of community, and I’ve made some of my best friends through the music scene. I cherish so many parts of that.”
So, what’s next on the horizon for Red PK? “I have my first solo record coming out this year. It feels like a culmination of a lot of firsts for me, so I’m excited to get that out there.” They currently have only two songs listed on their audio streaming pages, but that’s sure to change rapidly. PK promises to have some alternative folk elements, but also some power pop that will surely get people buzzing. They mentioned their affinity for the Y2k pop juggernauts Sugar Ray and having a desire to be in a similar ethos to them. The album sounds extremely promising, and they are looking forward to it being out in the world.
Finding one’s place in life is a grueling journey. Many people try to find the meaning of our existence and what they want out of life, but to no avail. The number of the actual amount of people living out their dreams is so minuscule that it can be frightening to think about. But there’s always hope behind that door. No matter your age or living situation, if someone puts the work in, they can find their purpose. There is a genuine beauty when a person finds that reason for being. Red PK has found that reason. This is a new beginning, just like a flower in bloom.
You can listen to Red PK’s previously released two song EP and other collaborations out everywhere now. Red is currently on tour with Free Range and is gearing up to play guitar in Squirrel Flower this summer.
Every Wednesday, the ugly hug shares a playlist personally curated by an artist/band that we have been enjoying. This week we have a collection of songs put together by Chicago-based multi-instrumentalist and songwriter Andy Red PK of the project Red PK.
If you have spent any time in the Chicago music scene, Andy’s face on stage is one of familiarity and comfort. Having been a player in some of the city’s most beloved acts, such as hemlock, free range, Options and Tabacco City, as well as instances of joining touring groups like Sinai Vessel, there is a guarantee of a good show at work when Andy is playing guitar. Earlier last year Andy released two singles, “Bedroom” and “Moving off the Line”, debuting his cleverness and passion as a songwriter as well, with hints of more to come in the future.
To accompany the playlist, Andy shared;
Songs that make me laugh and cry, sometimes unsure which is about to happen. Featuring friends, heroes, inspirations, recent pleasures. Fix yourself a Shirley Temple with extra cherries and cuddle up with your childhood stuffy while listening.
Listen to Andy’s playlist here;
Andy will accompany hemlock for a few shows on their expansive tour crossing eastern U.S. cities beginning on January 24th. Find a show near you HERE.
Listen to “Bedroom” and “Moving off the Line” out on all platforms now.
Written by Shea Roney | Featured Photo by Sofia Jensen
If you have ever experienced the rich communal impact of the Chicago music scene, there is a chance that you have caught a performance by guitarist and pedal-steel player, Andy “red” PK, who has become a substantial player in countless Chicago acts such as Free Range, hemlock, Tobacco City and other touring groups. Although PK’s presence in the scene feels matured, established and highly influential, their skills as a songwriter are a new endeavor for them, as last week saw their debut singles as a songwriter, “Bedroom” and “Moving Off the Line”, added to streaming platforms for the first time, marking the start of a new talent that stands out on its own with such sincerity and contextual instinct.
Stemming from immediate inspiration and recorded directly to tape, these singles are brief, yet dense with intention and clarity. “Bedroom” plays within a confined space, a collective exhale – a rummaging of thoughts that plunder our consciousness when the latch of your bedroom door comes to its purposeful resting spot. “And I heard you driving / I looked away too long and I missed you,” PK sings in a hushed whisper, lingering amongst layers of guitars that create a comfort of stringed textures underneath. In a more eager push towards folk-pop, “Moving Off the Line” so cleanly plays to both of PK’s skills as a melody maker and compositional instrumentalist. Progressing with a lively and nostalgic drum track that holsters an array of off-beat accent points, the track still leaves room for the underlying bass to speak for itself as PK’s established guitar voicings kick in. “If anybody told you / That I’m moving off the line / You’d listen close for warnings / But you’d hold on to the signs,” is noted by anyone who lives in Chicago; bustling, pragmatic and essential to navigating a complex city, let alone navigating your own placement on an individual level. Balanced with a string of harmonies that are performed with familiarity in influence, PK’s debut singles already feel timeless at their core.
You can listen to “Bedroom” and “Moving Off the Line” on all streaming platforms now, as well as purchase them at Red PK’s bandcamp.
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