“I guess for me personally, I didn’t have any goals for the album or any distinct visions. I was kind of just doing what came out at the time, and we never planned to have any type of sound,” Angie Wilcutt explains of the latest Artificial Go record.
Without much context, the notion could be perceived anywhere from bashful modesty to a major case of ‘too-cool’ slacker nonchalance. However, if you were to watch a video of a live Artificial Go set, of Angie Wilcutt prancing around in a vintage marching band outfit, you would know this band has little interest in diluting themselves, let alone feigning apathy. Though some bands may find comfort in concrete visions or fitting into the confines of a niche, the members of Artificial Go view this sort of structure as artistically suffocating. Their vibrant sound blooms from a deeply intrinsic place, one that can only be achieved when rigidity is rejected. In a fizzling of ambiguous accents, whimsical pop structures and sheer wit, Musical Chairs is the latest triumph out of Cincinnati’s thriving post punk scene, as Artificial Go shrugs off expectations for the sake of genuine, self-guided experimentation.
Composed of Angie Willcutt, Micah Wu and Cole Gilfilen, Artificial Go is a fairly young project, releasing their debut album just under a year ago. “Artificial Go just started as a recording project between Cole, Micah and I. We recorded the album Hopscotch Fever at Cole’s apartment and then when it was finished, we decided we wanted to perform it live. So we found someone to play guitar and then we decided we wanted to tour and did that, then came back and wrote a second album. It’s just been a pretty natural pace,” Angie tells me of the band’s origins. They nurtured this organic approach on Musical Chairs, prioritizing their maturation as artists over any external expectations of the project. “I think our vision for the second record was just to build off the first, just keep growing our skills as musicians and songwriters,” Micah says. “We don’t wanna latch onto something just because people like it at the time, so we’re trying to stick to that if nothing else.”
Though the members of Artificial Go have minimal interest in cementing the project’s identity, Musical Chairs is anything but haphazard. Nimble social commentaries dance in and out of shimmery pop melodies, and the album’s wit grows more prominent with each listen. An emphasis on domesticated pets parallels the band’s ‘free-spirited’ ethos and aversion to being pigeonholed, as Artificial Go cartwheels around the line (or cage) that separates animal from human. There is also a complex thread of fashion imagery, an idea that presents as both empowering in the buoyant “The World is My Runway”, and a burden in “Playing Puppet”, where Angie somberly notes that “no sense of self is always in fashion.”
“That song is definitely a commentary on growing up as a woman,” Angie tells me. “As a child, I always felt like I had to behave a certain way that my brother didn’t. I think that’s an experience for a lot of women, and that song is just touching on the girlhood experience, and of what is expected from you.”
By outlawing external expectations, whether placed on them from an industry or learned from childhood, Artificial Go carves a space for Angie, Micah and Cole to prioritize their own fulfillment above anything else. The safety net this approach offers them exceeds any comfort found in external validations, and the creativity it encourages extends far beyond the contagiously fun songs they put out. From the playful graphics that Angie creates, to the lucky marching band outfit Micah picked out for her on a prior tour and hid in the car trunk, an air of love and acceptance lingers in every crevice of the project. Artificial Go operates unapologetically, and on Musical Chairs, they encourage you to do the same.
Artificial Go is currently on a five week long tour, fueling themselves with food they cook outside as they share the juices of Musical Chairs at a range of venues and DIY spots across the country. You can catch them on one of the dates above, and purchase a copy of Musical Chairs on their bandcamp.
Written by Manon Bushong / Photo courtesy of Artificial Go
the ugly hug 